My Static Evolution Art Video
I think I was a dude who was a bit unhappy with John Rozum's work on Static. I had read some of his other works before and this was a bit of a let down. But the way he left showed a lot of class and and him finally choosing to respond to why, further shows his class. The whole break down of the book wasn't his fault.
Not gonna lie to you, I was pretty much disgusted when I read how things went down with the guy, then, and he does this with the highest level of class, makes me feel that it's no ones fault...the book just failed because it wasn't very good. The majority of us would have thrown Scott McDaniel and Harvey under the bus, but John Rozum doesn't, even though he has every right to do so. Well read for yourself in this excerpt from his blog:
"I don't really care what people think of me personally. Not everyone is going to like me, that's a given. That's okay. I don't really care if people don't like my work. I can't please everyone. No one can. That's okay, too. There are enough people who do like my work that I'm happy to have them, and happy to let those who don't like my work read the stuff they do like. That's all good. I finally spoke out because I'm unwilling to have my professional reputation damaged because of something that is not my responsibility. I've always been very vocal about crediting my collaborators for their contributions, or for others for inspiring aspects of my work, and always been completely willing to take responsibility for something I did that turned out to be less than it could have been.
This brings me to Static. When I was asked to write Static Shock for DC Comics, it was no doubt because of my long relationship with Milestone Comics (where the character originated, as did Xombi) and because of my long, close friendship with Static's creator, Dwayne McDuffie, who died nearly a year ago. I was excited by the opportunity. I loved the character, who I'd previously written in an issue of Kobalt way back when, and was looking forward to writing something so radically different from what I'm usually offered, but still infusing it with my own sensibility and giving the world a comic book series full of creativity, crazy ideas, and a lot of fun and humor unlike any of the other 51 titles that DC would be offering up last September. I thought Static had the potential to be one of DCs A-list characters, and not simply some supporting character incorporated from an outside company's pantheon of heroes. I never felt thatXombi lent itself well to full incorporation into the DC Universe and would always have to exist as it's own pocket world in the DCU. WithStatic Shock, however, I was fully looking forward to embracing all areas of the greater DCU, and also using the series as a gateway to not only showcase how cool all of the other Milestone characters were, but to bring them into the DCU in their own right.
To say I was disappointed with how things turned out is an understatement. From the first issue on, I was essentially benched by Harvey Richards and artist/writer Scott McDaniel. All of my ideas and suggestions were met with disdain, and Scott McDaniel lectured me on how my method for writing was wrong because it wasn't what the Robert McKee screenwriting book he read told him was the way to do things. The man who'd never written anything was suddenly more expert than me and the editor was agreeing with him. Scott had also never read a Static comic book, nor seen the cartoon series, yet was telling me that my dialogue didn't sound true to the character and would "fix it."
There was more concern about seeing that the title sold and didn't get cancelled than there was in telling good stories and having something coherent to bring readers in. This is what led Harvey to insist on the stuff with the two Sharon's and cutting off Static's arm. He had no answers for how to resolve these things, but thought it would keep reader's wowed enough to stick with the series. This, too, was frustrating. It was a lot of grasping at straws and trying to second guess what would keep it selling. It was decided that "bigger action" on every page of every issue was the key"
It is a pretty rough ordeal and my heart can only go out to Rozum and all the stress he has been through. to reads the full story please check out his most totally awesome site at johnrozum.blogspot.com